Home » Author Archives: Denise Williams (page 6)

Author Archives: Denise Williams

NBC Sports Utilizes Signiant Intelligent File Transfer Software for its Production of Olympic Winter Games

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February 16, 2022 NBC Sports has selected Signiant to provide intelligent file transfer software for its production of the XXIV Olympic Winter Games, from Beijing, China, February 2–20. The announcement was made today by Darryl Jefferson, VP of Post Production and Digital Workflow, NBC Sports & Olympics, and Mike Flathers, Signiant’s Chief Solutions Officer. NBCUniversal provides coverage of the 2022 ...

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Signiant Announces Integration with AWS’s Media2Cloud

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February 14, 2022 Signiant Inc., a leading provider in intelligent file transfer software, is pleased to announce that its cloud-native software as a solution (SaaS) products, Media Shuttle and Signiant Jet, are now integrated with Media2Cloud from Amazon Web Services (AWS). With Media2Cloud, frame-level metadata is generated using machine learning (ML) and artificial intelligence (AI) from Amazon Rekognition, Amazon Transcribe, ...

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The Last Thing Mary Saw Captured with Cooke Optics S7/i Full Frame Plus Lenses

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February 14, 2022 The Last Thing Mary Saw – a Shudder original movie for the AMC Networks’ premium streaming service for horror, thrillers and the supernatural – was shot using Cooke Optics S7/i Prime Lenses so that cinematographer David Kruta could capture the exact skin tones and color needed to deliver beautiful images to the audience. The Last Thing Mary ...

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The Cooke Look brings dimensionality and contrast to In From The Cold

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February 8, 2022 In From The Cold is Netflix’s new suspenseful and exciting series that follows a single mother exposed as an ex-Russian spy, who must juggle family life and unique shape-shifting skills in a battle against an insidious enemy. Cinematographer Hermes Marco, AEC, trusted a combination of Cooke S7/i Full Frame Plus and vintage Cooke Speed Panchro lenses, as ...

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Cooke Optics Anamorphic/i SF lenses bring a new cinematic look to Guilt Series 2

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February 9, 2022 Shooting the second season of an award-winning show could potentially be creatively restrictive, but cinematographer Caroline Bridges and director Patrick Harkins chose to evolve the original look of Guilt with Cooke Anamorphic/i Special Flair (SF) lenses, enhancing the cinematic nature of the show. “We did a lot of lens tests for the second season and chose the ...

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