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The Look and Sound of “Ms. Fisher’s Modern Murder Mysteries” (article 1 of 2)

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Geraldine Hakewell as Peregrine Fisher, in front of the cameras and behind the wheel of her sports car, in Ms. Fisher’s Modern Murder Mysteries. (source: Every Cloud Productions) Every Cloud Productions’ Ms. Fisher’s Modern Murder Mysteries, the Australian television series which had its US premiere on Acorn TV’s streaming service this April, is both an ultra-stylish detective show with a ...

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VFX Legion Creates Visual Effects For ‘MA,’ A Horror Film

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VFX Legion recently wrapped work on ‘MA,’ Blumhouse Productions’ new psychological horror film, which opened in theaters on May 31st. The award-winning studio tapped its the company’s experience digitally mutilating and eviscerating characters and augmenting practical footage to craft a range of photorealist visual effects that heightened the visceral impact of some of the movie’s most gruesome and suspenseful scenes. ...

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ENCORE’S BOB FESTA RETURNS TO ‘YELLOWSTONE’ FOR SEASON TWO

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  Season one of Paramount Network’s “Yellowstone” was one of the most watched television series that aired on ad-supported cable in 2018, averaging well over 5 million viewers per episode. The highly anticipated second season continues to follow the Dutton family as they fight for survival against ruthless enemies from all sides, with Kevin Costner reprising his role as family ...

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Powering the Most Captivating Webcasting Workflows with Matrox® Monarch EDGE

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Online video and over-the-top platforms (OVPs and OTTs) are constantly evolving. Users can stand out by taking advantage of the latest in webcasting innovations – such as high-frame rate (HFR) 4K, 4K 360 VR, and multi-camera selection – supported on desktop, mobile, and Smart TV web-based video players. Designed to take on today’s engaging live streaming workflows, Matrox Monarch EDGE ...

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Remote Possibilities in Broadcast Post-Production

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OpenDrives Adapts Workflows for Increased Efficiencies The undeniable benefit of live broadcast lies in its immediacy. The only problem is that traditional post-production workflows which are more appropriate for theatrical productions aren’t the most efficient way to make this happen with large-venue live events. From a technical workflow perspective, live broadcast captures footage as it occurs using onsite equipment and ...

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The Look and Sound of “Bosch” (article 3 of 3)

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A behind-the-scene photo of the Bosch crew, with author Michael Connelly second-from-left in the foreground and producer-writer Tom Bernardo to the right of Connelly. Executive producer Pieter Jan Brugge (in hat) is directly behind Connolly in the background. The first two articles in this series focused on the contributions of the directors and cinematographers that give Amazon Prime Video’s Bosch ...

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ATSC 3.0: Revolutionary Potential In The Making

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Greg Jarvis, Executive Vice President and General Manager at Fincons US The advent of the ATSC 3.0 standard in the US rings in a new era for broadcasters that are about to find they have a whole new array of tools to leverage to explore the potential of Hybrid TV and to help them become increasingly competitive in an ever ...

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Think Flash Storage is Too Expensive? Think Again

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Jason Coari, Global Director, Product and Solution Marketing at Quantum Everyone agrees that flash can deliver outstanding performance. And for some processes and workflows, that kind of performance is clearly indispensable. For example, when editors are working with numerous streams of uncompressed 4K (or increasingly often, 8K) video, flash can provide the kind of responsive experience needed to create the ...

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