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DPA Microphones Get Under The Skin of Auto Audio

Sound effects editor Steve Browell uses a selection of company’s mics to capture the sound of vehicles for feature films and television projects
(London, United Kingdom–April 29, 2014) Recording audio for film and TV within the confines of a car is difficult enough, but actually capturing the sheer range of sounds that comprise car noise is an entirely different level of challenge. This, however, is something of a specialty for freelance sound effects editor Steve Browell who uses a range of DPA mics and a variety of techniques to achieve spectacular results.

Broadcast Beat - Production Industry Resource