“Spider-Man: Homecoming” Weaves Big Time Sound


The true art form of sound design is definitely noticeable when watching movies in 5.1 surround sound. The art of creating, tracking, mixing, and mastering is truly inspiring when a team of sound designers work together in joining magnificent blended visuals with custom organic sounds which gives the viewer a memorable experience while eating their popcorn and candy in a dark movie house.   The folks at Sony Pictures Post Production Services constructed a veteran sound team to  complement one of the biggest blockbuster movies within the past 5 years “Spider-Man: Homecoming” , that in the first six-days of it’s release totaled to $154.1m in North America (alone) and to date over $220 million!

The Sony Pictures Post Production Services Sound Design Team consisted of these crafty industry experts: Supervising Sound Editors Eric Norris (The Amazing Spider-Man 2, Man of Steel) and Steven Ticknor (Spider-Man, The Lincoln Lawyer), Academy Award-winning Re-Recording Mixer Kevin O’Connell (Hacksaw Ridge, Transformers), Sound Designer/Re-Recording Mixer Tony Lamberti (Ghostbusters, Inglourious Basterds) and Foley Artist Gary Hecker (Justice League, Spider-Man, Spider-Man 2, Spider-Man 3). The location of the Dolby Atmos mix was housed on Sony Pictures’ William Holden Stage (named after the great William Holden Hollywood’s Golden Boy and Columbia Pictures early acting anchors).

The reboot of this iconic superhero action film by Columbia Pictures and Marvel Studios provided for an interesting assortment of characters, movie magic gadgetry, and lots and lots of action that certainly had the sound design team’s imagination and creativeness at full speed. “It was a high-octane crew,” says Ticknor. “As a team, we blended well, everyone contributed and the ideas flowed seamlessly.”

For example, the newly created Tony Stark designed web-slinger’s costume was retro-fitted with a detachable drone and required a different approach in the art of foley. “It was an interesting challenge to create the sound for the drone,” recalls Norris. “Steve came up with the idea of using a toy noisemaker that produces a high-pitched whistle. We used that and a palette of other effects to give the drone its personality.” Of course, in the movie we have the older Spider-Man suit which had it’s own sound specialty. “Jon Watts wanted the web coming from the old suit to sound a little less modern than the web that shoots from the new Stark suit, which is hot and cool,” notes Ticknor. “We ordered a couple of 5,000-foot rolls of magnetic tape and let them unravel. They created a whooshing sound that became our old-school web.” 

Another character that imposed a challenge to the team (who of course “took it in stride”) was the super villain Vulture and his winged suit which is equipped with ever changing devices from metal feathers and wings, and jet turbine engines! “We used samplers to stack sounds together, and shape them to create a sense of movement that mirrored the action on the screen,” explains Lamberti. “It was a lot of fun!”

Go check out Spider-Man: Homecoming if not to satisfy your inner adolescent, but to experience crafty sound designers with a passion for their profession!

About Sony Pictures Entertainment

Sony Pictures Entertainment (SPE) is a subsidiary of Sony Entertainment Inc., which is a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production, acquisition, and distribution; television production, acquisition, and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. SPE’s Motion Picture Group includes film labels Columbia Pictures, Screen Gems, TriStar Pictures, Sony Pictures Animation, and Sony Pictures Classics.  For additional information, visit

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Matthew has worked in both the private sector and in higher education for over 25 years. He specializes in the areas of digital media project management, broadcast engineering and media production. Matthew has extensive knowledge in digital post production, digital asset management, digital cinema production, and broadcast facility integration. Mr. Harchick actively researches state of the art broadcast, cutting edge digital cinema and smart audio visual technologies for client implementation and is available for your consultation needs.

Matt and his family currently reside in the Washington, D.C metro area.
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