Overwhelming response to FilmLight Colour Awards

  Judging has begun, with a shortlist to be announced at the end of October and the winners revealed at EnergaCAMERIMAGE in November   LONDON — 12 October 2021: The first-ever FilmLight Colour Awards has received an enthusiastic welcome from professionals across the imaging industry. While the awards programme has been initiated by FilmLight, the […]

Light Illusion launches ColourSpace CMS

Brand-new Color Management System ColourSpace is available now for Pre-Ordering and Beta Testing   For Immediate Release – London, 29 April 2020 – Light Illusion, a specialist in critical color management within the film, post-production, and broadcast industries, has launched a brand-new color management product called “ColourSpace CMS”. It is currently available for pre-order, which […]

Berlin Film Festival winners finished with Baselight

  There is No Evil and Delete History prize winners completed at Optical Art in Germany and Color in Paris   LONDON — 15 April 2020: At the 70th Berlinale, the 2020 Berlin Film Festival, the Golden Bear was won by There is No Evil, directed by Mohammed Rasoulof; the Silver Bear special prize went […]

Baselight helps to polish Uncut Gems

  LONDON — 14 January 2020: Uncut Gems is the latest movie from directing duo, the Safdie Brothers. The movie tells the story of a charismatic New York City jeweller and gambler (Adam Sandler), and is set in the diamond industry of New York. So it is appropriate that the colour palette was created at […]

Technicolor uses Baselight to create light and shade in His Dark Materials

  Colourist Jean-Clément Soret integrates CGI and atmospheric shooting   LONDON — 18 December 2019: One of the most awaited drama series of 2019, His Dark Materials, produced by Bad Wolf for BBC and HBO, was finished at Technicolor in London. With a story set in a parallel universe that seems like the Britain of […]

Directors Cut upgrades to Baselight for HDR and 4K

Directors Cut grading suite   LONDON — 31 October 2019: Independent London post house Directors Cut Films – owned and operated by its creative staff – has invested in a Baselight TWO colour grading workstation with a Blackboard 2 control panel. Directors Cut works primarily in premium long-form television, as well as drama series, documentaries […]

Fast-forward to creative results with FilmLight at IBC2019

  New Blackboard Classic control panel on show, as well as workflow improvements for VFX, dailies, broadcast and more.   LONDON — 5 September 2019: At this year’s IBC, FilmLight (Amsterdam, 13-17 September, stand #7.A45) is demonstrating new colour management tools and products designed to improve efficiency and flexibility for a wide range of workflows. […]

FilmLight presents Colour On Stage at IBC2019

  Free programme expanded to two days to provide greater opportunities to see industry leaders in finishing demonstrate their craft   LONDON — 13 August 2019: At this year’s IBC, FilmLight (stand #7.A45) is hosting the free two-day seminar series, Colour On Stage, on 14-15 September 2019. The event provides an opportunity for visitors to […]

Creating movie star looks for HBO’s Big Little Lies

LONDON — 08 August, 2019: The second season of HBO’s runaway hit drama Big Little Lies was completed at Technicolor in Los Angeles. Finishing artist and Vice President of business development Pankaj Bajpai, famed for grading the HBO series Sex in the City, True Detective and Nat Geo’s Genius seasons for both Einstein and Picasso, […]

Youngster builds powerful workflows with BLG

    LONDON — 18 July 2019: One of London’s newest high-end finishing houses, Youngster, is delivering uncompromised quality thanks to FilmLight’s unique BLG workflow. Youngster is using the innovative setup to provide seamless, renderless content exchange between Flame VFX, Avid editing and the Baselight grading and finishing suite. The BLG workflow is already being […]

At NAB 2019, FilmLight adds more to modern colour finishing and delivery

LONDON — 28 March, 2019: With the colour grading suite now the hub for finishing on movies, premium television and commercials, FilmLight is focusing on putting all the right colour tools into the hands of the creatives who need them, and on simplifying the pipeline for collaborative workflows. The question is this: how best to […]

FilmLight illuminates commitment to Japanese creative community at Inter BEE 2018

  FilmLight’s Japanese branch, FilmLight KK, to showcase the power of Baselight v5   [LONDON — 08 November 2018]: FilmLight will demonstrate its creative and technical commitment to Japanese television broadcasting and post-production with its own booth at Inter BEE 2018 (Makuhari Messe, Tokyo, 14–16 November, #3311). This marks both the five-year anniversary of the […]

FilmLight creates Cold War look for ‘The Americans’

Series six graded for HDR and 4K Ultra HD at Technicolor PostWorks The sixth and final Emmy award winning series of The Americans, a period spy thriller set in the 1980s during the Cold War, was recently finished in HDR and 4K Ultra HD at Technicolor PostWorks in New York. Since series two, the look […]