FilmLight teams up with ARRI in Paris creative community

  First 2020 Colour Day hosted in Paris on 28 January   LONDON — 23 January 2020: Following the appointment of Matthieu Straub as the company’s technical and operational consultant to France and the Benelux countries in the summer of 2019, FilmLight is delighted to announce that it has now established a permanent presence in […]

Technicolor uses Baselight to create light and shade in His Dark Materials

  Colourist Jean-Clément Soret integrates CGI and atmospheric shooting   LONDON — 18 December 2019: One of the most awaited drama series of 2019, His Dark Materials, produced by Bad Wolf for BBC and HBO, was finished at Technicolor in London. With a story set in a parallel universe that seems like the Britain of […]

Fifty Fifty adds second Baselight grading suite

  Experienced long-form colourist, Joe Stabb, to push boundaries of 4K and HDR deliveries   LONDON — 21 October 2019: Leading London boutique post house Fifty Fifty has added a second Baselight grading suite as part of its expansion programme. With the growing interest in top end content for broadcast and streaming, both suites are […]

FilmLight finishing gives distinction to Cannes winners

  LONDON — 3 July, 2019: Two of the top prizes at this year’s Cannes Film Festival have gone to ground-breaking movies which rely on FilmLight colour science for their distinctive looks. Parasite, from Korean director Bong Joon Ho, took the Palme d’Or, while director Mati Diop won the Grand Prix for Atlantique (Atlantics), the […]

FilmLight launches worldwide colour masterclass tour

Global series of masterclasses on HDR, colour workflows, and new grading and delivery tools To help colourists, DoPs and the wider production and post industry understand the opportunities and challenges that HDR and new delivery formats bring, FilmLight is taking intensive and specialist masterclasses on a world tour. Dates are already set for London (15 […]