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VFX Legion Opens Full-Scale B.C. Division

VFX Legion, A Pioneering Remote Company, Launches Full-Scale B.C. Division with Expanded Capabilities


VFX Legion, A Pioneering Remote Company, Opens B.C. Division

James David Hattin, Founder/CD,VFX Legion

VFX Legion, a remote boutique-style global company, has announced the opening of a full-scale division in British Columbia.  Industry veteran James David Hattin, an early proponent of the virtualization of visual effects,  launched the VFX Legion in 2013.  The forward-thinking company introduced a groundbreaking collaborative work-from-home business model almost a decade before COVID-19 made social distancing essential. Headquartered in Los Angeles, the new Kelowna-based division takes its road-tested remote visual effect services to the next level.

“We began testing the waters in British Columbia last April,” says Hattin. “The volume of visual effects that the province’s robust film and television industry required made it a great fit with our efficient, high-quality remote services. As a result, our workload steadily increased, and we outgrew our initial digs in less than a year.  Spurred on by the influx of jobs and positive feedback, we decided to launch the new full-scale division, and expand our technical and creative resources.”
All work on VFX Legion Reel created by its collective of home-based artists

Further Expanding Technical and Creative Capabilities

With security a top priority, and crucial to its expansion strategy, VFX Legion set up the new location with TPN certification and remote workstations housed in a lockdown space. It also significantly increases the

New Space (open area) housing core team managing home-based talent

company’s storage capacity. A built-out virtual private cloud keeps all content on-premises providing artists with immediate access and clients with total control over their assets. The studio’s size and layout allow for social distancing with multiple offices, rather than an oversized open workspace.

Proactively growing its team of talent residing throughout the province, VFX Legion expanded its network of artists culled from a global pool of talent. Building a local workforce provides the scale needed to take maximum advantage of substantial tax incentives,” says Hattin.  “British Columbia’s investment in infrastructure technology, including fiber-optic internet connectivity, is another reason that it’s a perfect hub for our remote business model.”
“Our sophisticated pipeline’s ability to render an artist’s location irrelevant provides VFX Legion with its greatest asset – an abundance of exceptional remote-savvy talent,” adds the creative director and founder.  “A collective of over 200 artists was in place long before the pandemic. Their mastery of remote technology and our collaborative workflow has optimized efficiency and creativity for dozens of films and hundreds of TV episodes over the years. While the industry scrambled to set up in-house staff to work from home in response to a crisis, we didn’t need to change a thing.”

‘Welcome to Blumhouse, a program of 8 films debuting on Amazon

Current Projects, Right out of the Gate:   

The studio already has over a dozen projects lined up, including ‘Welcome to Blumhouse,’ a program of dark genre movies produced by Amazon Studios and Blumhouse Television. The B.C. division is currently managing the production of all of the visual effects for ‘Black Box,’ scheduled to premiere along with ‘The Lie,’ onOctober 6th. VFX Legion/B.C. is also sole VFX vendor for ‘Evil Eye’ and ‘Nocturne,’ both debuting October 12th. The final four films will be released in 2021.  Slated to stream on Prime Video, the thematically connected package marks Amazon’s first-ever global direct to   services deal.
“We’ve invested in British Columbia at a very exciting time,” says Hattin. “The province’s work, establishing mandates and guidelines, put it on the fast track to recovery. Shooting has resumed in B.C., making it one of North America’s first regions to restart production since COVID-19 brought it to a halt. The move presented an opportunity to expand our pioneering remote services. At the same time, it positions VFX Legion to provide the first wave of productions with innovative digital solutions that meet unprecedented challenges.”
The new division mirrors VFX Legion’s flagship studio’s structure, housing a core team of leadership and senior artists. The signing of an animation supervisor, C.G. supervisor, VFX coordinator, and two senior compositors are in the final stages.

Dylan Yastremski, Head of Production/Parner    VFX Legion/BC

Dylan Yestremski oversees the company’s B.C. arm, bringing strong managerial and creative skills to his new post.  Exiting Allegiance Studios, the VFX boutique he founded in 2015, he closed its doors, joining VFX Legion as Head of Production and partner in the new venture. Hattin works closely with the B.C. native, supervising projects managed out of both British Columbia and Los Angeles.

Before the launch of VFX Legion/L.A., Yastremski worked with Hattin on several projects, including the TV series ‘Arrow,’ ‘The Flash,’ True Blood,’ and ‘Falling Skies,’ which received an Emmy nod in the ‘Outstanding Special VFX’ category in 2013. More recently, he’s lent his talents to numerous productions under VFX Legion’s banner, such as the movie, ‘Hardcore Henry,’ and episodic series, including ‘Madam Secretary, ‘How to Get Away with Murder’ and ‘Scandal.’
“VFX Legion provides British Columbia’s film and television productions with access to a unique local resource that’s way ahead of the curve. Fully remote since inception, our leading-edge pipeline, seamless workflow, honed protocols, and scalable collective of remote-savvy artists are well-established,” adds Hattin. “Without the distraction of adapting to new workflow and software, our focus remains where it’s always been:  Applying our creative and technical ingenuity to producing digital imagery that meets the challenges of an ever-changing industry and brings a director’s vision to life.”


Every episodic series that’s worked with VFX Legion has returned season after season through series finales, since the company launched – attesting to a remote approach that gets the most out of every budget.

‘How to Get Away with Murder,’ ‘Madam Secretary,’ ‘Scandal,’ ‘Suits,’ ‘Eye Candy,’ ‘Revolution,’ ‘The Catch,’ and ‘Gone’ are among its television series credits.  Feature film work includes ‘Hardcore Henry,’ ‘The Gift,’ ’12 Strong,’ ‘Ithaca,’ ‘The Circle,’ ‘Please Stand By,’ ‘Jem and the Holograms,’ ‘Superfly,’ ‘Sinister 2,’ and ‘Ma.’

“As a result of CORVID-19, while traditional companies moved from a long-standing infrastructure to a drastically different workflow, VFX Legion didn’t need to change a thing,” notes Hattin. “A forerunner of today’s’ new normal,’ the launch of our new division brings the experience and digital ingenuity of a company born into a remote visual effects culture to B.C.”

Pipeline: Technology

 VFX Legion’s pioneering pipeline, incorporated Autodesk‘s Shotgun and Maya, SideFX’s Houdini, The Foundry’s Nuke, SYNTHeyes, Signiant Medial Shuttle and Adobe After Effects. Hattin, the architect of the pipeline, integrate software with proprietary in-house tools and developed off-label application that expand its capabilities. Fluidly evolved, ongoing refinements and new technology take advantage of the pipeline’s flexibility.
For additional information about VFX Legion, contact VFX Legion LA/B.C. at www.VFXLegion.com, [email protected], or call 818-736-5855.

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